Rits, Living Images
On the occasion of his carte blanche at the H gallery, Clement Thibault conceived an exhibition named Rites and Living Pictures which shows works by cotemporary artists (Sandrine Elberg, Isabelle Lévénez, Caroline Le Méhauté, Arthur Novak, Aurore Pallet, Jeanne Susplugas and Ritual Inhabitual) and works by art brut artists (Michel Nedjar and Melvin Way) lend by the gallery.
He is the living most exposed and published brut artist and yet, the extraordinary trajectory of this Frenchman poses a question rarely addressed: that of the impermanence of art brut. Discovered by Jean Dubuffet during his work on the resurgence of the symbolic body, he then became the protean artist we know today and who, in creation, embodies an absolute freedom. Found in numerous collections, he is the first brut artist whose works were added to the collections of the Musée National d’Art Moderne (France). Since 2008, he has been celebrated through six monographic exhibitions by Le Mahj (Paris), LaM (Lille), the Gugging Museum (Vienna), and the gallery.
Discovered in the early 1980s at a homeless center in New York City, Melvin Way is now a key figure in contemporary art brut. Having interrupted his scientific studies because of his schizophrenia, he relentlessly covers fragments of papers of mathematical and chemical formulas, sibylline sketches… These dense talismanic notes, which he treasures in his pockets, exhale a rare magnetism. The 2018 Pulitzer Prize for Critics, Jerry Saltz, considers him “a mystic visionary genius, one of the greatest living American artists.” The artist’s works are now in the collections of the MoMA (New York) and the Smithsonian (Washington).