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Luboš Plný and Anna Zemánková are featured in the exhibition fragilités at the Rudolfinum Gallery (Prague), until January 8th 2023.

Fragility has emerged in recent years as a key concept through which to reimagine both human and ecological conditions. The exhibition fragilités unfolds the concerns, visions, and sensibilities expressed by artists who have engaged deeply with fragility and reflected on its tensions, complexities and paradoxes. The traditional meaning of fragility – weakness, powerlessness, passivity – is challenged, and claimed instead as a source of force and agency that encourages sustaining interdependencies.

The understanding that all living things are dependent on their environment and each other has intensified in the context of current crises. These ideas have already been developed by artists and thinkers who have for many years stressed the invisible bonds that link us to other beings, and the myriad ways in which we are entangled with wider ecosystems. In response to these ideas, the exhibition invokes fragility as a lens and language, claiming that neither vulnerability nor power come in expected guises, and that the fragile connections between bodies and the earth constitute real strength.

With artworks by : Francis Alÿs, Michael Armitage, Maria Bartuszová, Bianca Bondi, Louise Bourgeois, Geta Brătescu, Edith Dekyndt, Susanna Fritscher, William Kentridge, Kapwani Kiwanga, Dominik Lang, Luboš Plný, Anri Sala, Vivian Suter, Alina Szapocznikow, Barthélémy Toguo, Anna Zemánková.

Curated by Elena Sorokina and Silvia Van Espen.

view of the exhibition *fragilities*, Rudolfinum Gallery, Prague, 2022 - © © Galerie Rudolfinum, photo : Martin Polàk, christian berst — art brut
view of the exhibition *fragilities*, Rudolfinum Gallery, Prague, 2022 - © © Galerie Rudolfinum, photo : Martin Polàk, christian berst — art brut
view of the exhibition *fragilities*, Rudolfinum Gallery, Prague, 2022 - © © Galerie Rudolfinum, photo : Martin Polàk, christian berst — art brut
Artists
Luboš Plný - © christian berst — art brut

Luboš Plný

Luboš Plný’s international recognition was firmly established in 2017, when he was selected for the 57th Venice Biennale. The first Art Brut artist to be acquired by the Musée National d’Art Moderne (MNAM) in 2013, he has since been the subject of exhibitions at the contemporary art museums of Kobe and Hiroshima, the Kunsthalle Dresden, and in his native Prague, where the Rudolfinum, notably, brought his work into dialogue with artists such as Louise Bourgeois and William Kentridge in 2022. In September 2023, we dedicated a solo exhibition to him across both our spaces, published a monograph, and presented a performance at the École des Beaux-Arts de Paris.

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anna zemankova - © christian berst — art brut

Anna Zemánková

It was at the beginning of the 1960s that this humble Moravian woman began creating works, strikingly responding to impulses from the depths. At dawn, she would mentally gather flowers “that grow nowhere else,” making them emerge from the paper.
Anna Zemánková is an established figure of art brut, to the point that she was honored in 2013 at the Venice Biennale before a significant collection of her works joined the collections of the Centre Pompidou, the Boston Museum of Fine Arts, and the Mumok.
In 2023, the gallery presented her in a solo show at Art Basel Paris, and the following year Adriano Pedrosa, curator of the Venice Biennale, exhibited a group of her works. In 2026, the Hermès Corporate Foundation in Brussels subsequently presented eight of her drawings.

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