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The center, they say, is defined by its margins. Art brut, the subject of ever bracing controversies, should, according to this logic, gain something from examining its own borders.

Popular culture is one of them. Prinzhorn and Dubuffet, in their time, had illuminated an entire facet of it: creations born of the prison system. The one by dedicating a work to prisoner art as early as 1926, the other by paying close attention to the work of the “prisoner of Bâle” in the first journal of art brut, which appeared in 1964.

Emblematic of the Latino subculture of Los Angeles prisons, the paños – of which we will soon see examples in the exhibit Tatoueurs, tatoués (Tattooers, tattooed) at the Quai Branly Museum – are, from this perspective, an exceptional research subject.

Starting in the 40’s, for the Chicano prisoners of the southwestern United States – often illiterate and convicted to heavy sentences – these missives illuminated with a ball-point pen on handkerchiefs constituted the only way of communicating with the outside world. Their technique was at times passed down from one generation of prisoners to the next and the themes – fraught between eros and thanatos – give a hollowed out portrayal of a mistreated culture on which gang culture has also imposed itself.

Calling upon both pre-Columbian heroes and those of the revolution, the Virgin of Guadeloupe and the Lolita of the suburbs, imploring a mother’s forgiveness or seeking oblivion or reassurance through smoke rings of marijuana, the authors foreword of the paños don’t escape the archetypes of their community.

No more than Boris Santamaria, a Cuban prisoner whose poignant and uncompromising drawings, presented for the first time, cannot totally escape the codes of counter-culture. It would very well seem that reclusion or confinement are not, in and of themselves, strong enough pathogenic catalysts to modify / transmute the nature of artistic production every time.

Nevertheless, even if the individual mythologies don’t extend themselves to these works except implicitly, the vital necessity that drives their authors is entirely prodigious. For the recluse, the outcast, as for a schizophrenic, inventing other worlds, other systems, other destinies, is nothing but the creation of an evacuation plan.
Art brut, in this way, is perhaps also the most beautiful and vibrant praise of escape.

Paños prison break
Paños : prison break - © christian berst — art brut

Preface : Pascal Saumade
Foreword : Christian Berst
Catalog published to mark the exhibition Paños : prison break, from march 11th to april 19th, 2014.

Press review
Reportage exposition paños, prison break
Sarah Doraghi, émission Télématin, France 2. April 18, 2014.
2 choses à savoir sur Paños, prison break
La Rédaction, L’express. April 18, 2014.
La Valise de Christian Berst
Thierry Paret Et Linda Lorin, Radio Nova. April 15, 2014.
Le contrôle douanier de Christian Berst
Thierry Paret Et Linda Lorin, Radio Nova. April 15, 2014.
A travers les barreaux
La Rédaction, April 14, 2014.
View more
paños in l’expo idéale
La Rédaction, Le Parisien Magazine. April 4, 2014.
A l’avant garde : paños, prison break
Dauphine De Cambre , The ARTchemists. April 4, 2014.
Petits dessins de sang et de larmes
Philippe Lespinasse, Siné Mensuel. April 2, 2014.
París desvela el arte chicano de los paños carcelarios
Jorge Martínez, March 29, 2014.
Boris Santamaria, paños, prison break
Sophie Lespiaux, Paris Art. March 26, 2014.
Tania Brimson, Time Out. March 26, 2014.
paños, prison break
A. C.-C., L’Express Styles. March 26, 2014.
paños, prison break
Roxana Azimi, Le Quotidien De L’art. March 25, 2014.
Des mouchoirs pour la peine
Corinne Bensimon, Libération. March 24, 2014.
du côté des galeries : galerie christian berst
Stéphanie Pioda, Beaux Arts. March 21, 2014.
paños, prison break
Benoît Kuhn, March 18, 2014.
Les vernissages de la semaine du 13 mars
Enora Le Goff, March 18, 2014.
Paños Prison Break - galerie Christian Berst
La Rédaction, ArtistikRezo. March 18, 2014.
interview de Christian Berst
Frédéric Taddéi, Europe 1 Social Club. March 14, 2014.
paños, prison break
Julien Bourelly, The Glam Attitude. March 13, 2014.
paños, prison break
Bénédicte Philippe, March 12, 2014.
Prison break se met au dessin March 12, 2014.
S+ Stimulant: Paños
Melissa Unger, Seymour Magazine. March 4, 2014.

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