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As Art Brut extends its researches ever further afield, it became inevitable that China would prove a fertile hunting ground. In this context, Guo Fengyi represents an eloquent mid-point between permanence and renewal. Her work enshrines permanence in the traditional modes of representation and beliefs – Tao, I-Ching, and Qi Gong – that underlie and inspire her drawings, and renewal in the way she challenges them, appropriating them for her own ends only to then move beyond them to attain a truth of her own – or at least the truth of an artist who believes her works are powerful enough to provide the keys of essence and existence alike. Although the knowledge to which she aspired is largely inaccessible to a Western audience, her visions radiate with universal relevance.

Beyond the unquestionable magnetism of her oeuvre, never before seen in the West, the exhibition confronts us with a vital question that underpins the very existence of Art Brut: can art exist independent of any cultural or religious context?

Guo Fengyi does not provide easy answers, simply offering us her ineffable grace.
Guo Fengyi’s works have been shown to great acclaim at Art Basel in 2009 and the Museum of Everything (London) and the Pinacoteca Agnelli (Turin) in 2010.

A retrospective is also planned in Lausanne. The works of this future star of the Art Brut world are now on show in Paris for the first time.

Exhibition view of *Guo Fengyi : a chinese rhapsody*, christian berst art brut, Paris, 2011 - © ©christian berst art brut, christian berst — art brut
Exhibition view of *Guo Fengyi : a chinese rhapsody*, christian berst art brut, Paris, 2011 - © ©christian berst art brut, christian berst — art brut
Artist
Fengyi Guo
guo fengyi drawing - © christian berst — art brut

Living her spirituality through the paths of Qigong, it was at the dawn of her 40th birthday that Guo Fengyi began to reinterpret popular Chinese beliefs in drawings of ink and brush. On rolls of rice paper, measuring up to 10 meters, entities unfold: sometimes linked to the pantheon, sometimes to the pandemonium, they seem to float in a space-time void. These heretical scrolls were even exhibited at the 55th Venice Biennale, curated by Massimiliano Gioni.

Catalog
Guo Fengyi a chinese rhapsody
Guo Fengyi : a chinese rhapsody - © christian berst — art brut

Preface : Rong Zheng
Forewords : Christian Berst
Catalog published to mark the exhibition Guo Fengyi : a chinese rhapsody, from december 10th, 2010 to january 15th, 2011.

Press review
Guo Fengyi, une rhapsodie chinoise
Bénédicte Philippe, Télérama Sortir. January 5, 2011.
Guo Fengyi, une rhapsodie chinoise
Paris Art. January 3, 2011.
Guo Fengyi, une créatrice brute chinoise à Paris
Le Poignard Subtil. December 6, 2010.
guo fengyi

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