salon du dessin contemporain
Works by Royal Robertson, Marilena Pelosi, Joseph Hofer and Luboš Plný are exhibited from 10 to 14 April 2008 at the Carreau du Temple in Paris on the occasion of the Salon du Dessin Contemporain.
Renowned figure of contemporary art brut this Czech artist is fascinated by medical iconography. An expert in the mysteries of the anatomy he indulges - when he is not drawing - in all sort of performative experiences reminiscent of the Viennese Actionism. By testing the limits of the physical existence, he conjures death, sublimating life in its most organic form. His detailed works crafted with Indian Ink and acrylic entered the collection of the Centre Pompidou in 2013 and were displayed several times at la Maison rouge and in 2017 at Venice Biennal.
Josef Hofer, who has been a resident of an Austrian institution for more than 30 years, does not speak, he draws instead. Tirelessly. In the mirror that he uses and hands us, individuals try to take their rise in the straitjacket of the frame with an eroticized grace, untamed. His productions - to which Michel Thévoz has devoted several essays - depict a founding duality between the body and the psyche. Present in many museum collections, he is also part of great private collections: Antoine de Galbert (France), Amr Shaker (Switzerland) or even of the collection of Arnulf Rainer (Austria), who considers him “the greatest of the brut artists.”
At a very young age, Marilena Pelosi began to make drawings in which exuberant Catholicism and feverish Macumba, from her native Brazil, swirled to the point of delirium. The reminiscence of trance, eucharistic processions and carnivals are inextricably combined with much more intimate evocations. Now living in Normandy, she continues these same disturbing drawings, made with ballpoint pens, in which doll-women are both executioners and victims. Entering the BIC collection (France) in 2019, she is represented in major collections, including those of Hannah Rieger (Austria), Amr Shaker (Switzerland), and Dino Menozzi (Italy).
Royal Robertson spent most of his life in Louisiana with his wife and eleven children. A sign painter by training, his paranoid schizophrenia triggers in him a prodigious creative fever. Ethereal ascents, portraits of deities, futuristic architectures alike “show houses” of a world to come, it is as if he had descended from his planet, carrying his own Tablets of Law. Featured in countless international collections, such as the Smithsonian Museum of American Art (USA), his work was presented in 2018-19 in the travelling exhibition Into The Unknown, produced by the Barbican (London) and curated by Patrick Gyger.