Aesthetics of Rage

Spotted in Rosario’s psychiatric institution, his work was exhibited for the first time in 2005 at the ArteBA contemporary art fair in Buenos Aires. Although his approach was initially dazibao, subtly off-center geometric patterns and a sharp typography clearly illustrate a more private formal grammar. The compositions of the enigmatic man, fascinated by conspiracy, appear like an attempt to alert humanity. Present in important collections, his works have been shown notably in the art brut exhibitions: a story of individual mythologies (Oliva Creative Factory, Portugal) and in the Museum of Everything by James Brett in MoNa (Australia).

Bellucci attended the Blu Cammello workshop in Livorno, where he was brought to light by the artist Riccardo Bargellini. His hybrid sculptures, born from the assemblage of eclectic objects, form a mysterious language where destinies intertwine and echo one another, seen through the lens of transition, fetishism, or the apotropaic.
His works, part of the collections of the Musée National d’Art Moderne (Pompidou) and the Museum für Moderne Kunst in Frankfurt, have been showcased in numerous major exhibitions, notably at the Palais de Tokyo in Paris.
“These works are endowed with a symbolic power that many ‘professional’ artists are incapable of achieving. “(P. Dagen, Le Monde)