1 Spring 2 Fairs

Eugene von Bruenchenhein, a humble baker from Milwaukee, believed that being born in the year of the passage of Halley’s Comet was irrefutable proof that the gods had endowed him with artistic genius. In 1943, he married Eveline Kalke, who was 10 years younger than him, and she became his muse, inspirer, and subject, directly or indirectly, of all his art. He renamed her Marie. Photography then became his primary mode of expression: he created hundreds of portraits of Marie adorned with different attributes. Marie becomes, by turns, a goddess, queen, star, seductress, or ingenue. In 2013, these photographs were featured at the Venice Biennale, while an entire room was dedicated to him in the exhibition An Alternative Guide to The Universe at the Hayward Gallery in London.⁠

Luboš Plný whose international recognition was confirmed by his selection in the 57th Venice Biennale titled Viva Arte Viva (curated by Christine Macel) in 2017. As the first outsider artist acquired by the MNAM in 2013, he has enjoyed numerous institutional exhibitions in recent years. These include exhibitions at contemporary art museums in Kobe and Hiroshima, Japan, at the Rencontres de la Photographie in Arles, at the Kunsthalle in Dresden, and in his hometown of Prague. In 2017, the Dox Art Center dedicated a solo exhibition to him, and in 2022, the Rudolfinum facilitated a dialogue between him and artists such as Louise Bourgeois and William Kentridge. In September 2023, we dedicated a solo show to him in our two spaces, a monography and a performance at the Beaux-Arts de Paris.

When Beverly Baker sits at her worktable, the ritual is always the same: on the blank piece of paper, with a ballpoint pen, the artist begins to trace letters on which she will draw until the meaning is annihilated. Her work is reminiscent of that of Twombly, Serra or Tapiès. A member of the « Latitute Artist » workshop (Kentucky), Beverly Baker has been presented twice at the Maison rouge (Paris) in these exhibitions: Le Mur, artworks from the Antoine de Galbert collection and art brut, abcd/Bruno Decharme collection and won the Wynn Newhouse Award in 2017.

Having become, in a decade, one of the most recognized contemporary brut artists, this autistic native of California is sometimes compared to Cy Twombly: while the latter deconstructs language, the former builds it. Since 2010, the gallery has contributed to its international recognition by organizing several exhibitions and publishing the only monograph available to date, enriched with an essay by Richard Leemann. Present in countless public and private collections - including those of the MoMA and Pompidou –, Dan Miller’s work was also part of the official selection of the 2017 Venice Biennale.

Yuichi Saito is fascinated by popular Japanese shows. At the workshop of Kobe Shu (Saitama), which he has been attending since 2002, he began graphic work around these television programs, methodically writing, in a broad gesture, the title of each of them. His drawings have since then reached a degree of visual abstraction of great intensity. More recently, he has undertaken work on the mo character of the hiragana alphabet: its repetitions reveal his emotional states. His work has been shown in the collections of the Museum of Everything, at MONA, in Tasmania, and during the closing exhibition of the maison rouge (France): L’envol ou Le rêve de voler. An important part of his work has been donated to the Centre Pompidou in 2021.