guided tour by marc donnadieu

Luboš Plný whose international recognition was confirmed by his selection in the 57th Venice Biennale titled Viva Arte Viva (curated by Christine Macel) in 2017. As the first outsider artist acquired by the MNAM in 2013, he has enjoyed numerous institutional exhibitions in recent years. These include exhibitions at contemporary art museums in Kobe and Hiroshima, Japan, at the Rencontres de la Photographie in Arles, at the Kunsthalle in Dresden, and in his hometown of Prague. In 2017, the Dox Art Center dedicated a solo exhibition to him, and in 2022, the Rudolfinum facilitated a dialogue between him and artists such as Louise Bourgeois and William Kentridge. In September 2023, we dedicated a solo show to him in our two spaces, a monography and a performance at the Beaux-Arts de Paris.

Convinced of his ability to become a wolf, this young artist from Madrid is fascinated by the Kafkaesque metamorphosis found in the world of comics and mythology. As polymorphic as he is, his work consists of drawings, sculptures and performances, and urges us to accept our own repressed gifts for shape-shifting. Promoted by the gallery since 2016, he had a major show that same year at the Biennale de l’image possible in Liège, Belgium. In 2022, his work was featured in the exhibition Photo | Brut #2 at the Botanique in Brussels. His work is now part of several major European collections of contemporary art such as those of Antoine de Galbert, or Laurent Dumas.

In the streets of Havana, everyone knows Jorge Alberto Cadi as « El Buzo » - the diver - because he’s constantly searching material for his works in the city’s abandoned objects. Boltanskian by his memorial use of photography, Warholian by his taste for stitching images together, Cadi always seeks to reveal what these photographs are hiding. Exhibited for the very first time in 2019 by the gallery, then in 2022 at Paris Photo, he was presented the same year in the 2nd part of Photo brut which, after the Rencontres de la photographie d’Arles, was hosted at the Centrale and the Botanique, in Brussels. His work is included in the collections of the Musée national d’Art moderne (Pompidou). In 2023, he was exhibited by Sophie Calle at the Musée Picasso.

This is the story of an anonymous photographic collection that surfaced from the secret depths to which it seemed doomed. Hundreds of amateur prints created over the course of a decade, between 1996 and 2006, that bear witness to the fetishistic habits of its author, manifested through pictures of legs covered with tights, taken either in the street or from a television screen. His practice evokes that of Miroslav Tichý, with the principal difference that our photographer sometimes becomes a subject himself. In both cases—as is often true with art brut—are the burning questions of the construction to which our gaze proceeds and of the collective imagination’s role in this individual[…]

At a very young age, Tomasz Machciński built an identity around an autograph, addressed to him by an actress he believed to be his mother. From this confusion, which lasted more than twenty years, a protean and personal mythology was born that reconstructs the artist. Exhibited in 2019 at the Rencontres de la Photographie, his works are already part of the Museum of Modern Art in Warsaw and the Museum of Photography in Krakow (Poland). In 2023, he is exhibited at the Centre d’Art Contemporain Genève in Chrysalides: le rêve du papillon. Color and black & white self-portraits will be shown at the Independent Art Fair in New York and in a solo show at the gallery in September 2024.