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En parallèle de son exposition UFOTOFU, la galerie Champ Lacombe présente The Syzygy, une « philosophie des sciences » sarcastique inventée par l’écrivain français Alfred Jarry, qui définit la syzygie comme un alignement fortuit doté de sens, tel un jeu de mots.

Cette exposition collective curatée par l’artiste Alexandra Metcalf présente 24 artistes – amis, collaborateurs ou mentors – dont plusieurs dessins de Madge Gill et de Zdeněk Košek.

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Artists
Madge Gill - © christian berst — art brut

Madge Gill

The works of Madge Gill, a mediumistic artist from the mid-20th century, were collected by Jean Dubuffet. Guided by a spirit and in a trance state, Madge Gill drew in ink on surfaces ranging from small formats to rolls of over a hundred meters. Her entire body of work was only discovered after she died in 1961. Today considered a key figure in outsider art, her works can be found in major European and North American collections: American Folk Art Museum (New York, USA), the Museum of Everything (UK), Arnulf Rainer Collection (Austria), Damman (Switzerland), Treger Saint Silvestre (Portugal), etc. In 2024, her works will be presented at the Venice Biennale curated by Adriano Pedrosa.

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portrait - © © Mario del Curto, christian berst — art brut

Zdenek Košek

A typographer by training, Košek first became a fairly conventional artist. When he fell into psychosis, he began to produce works as radical as poetic. Convinced that he plays a decisive role in the sequencing of the world, he spends his time at his window, recording his observations - meteorology, bird flights, insignificant facts - and aggregating them into diagrams supposed to ward off chaos. For fifteen years and across the world, from the Palais de Tokyo to the Maison Rouge, from the MONA (Australia) to the DOX in Prague and The Rencontres d’Arles, his Sibylline maps have been constantly interrogating.

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madge gill et zdeněk košek

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