Drawing Now 2016
The gallery contributes to the 10th Edition of Drawing Now fair at the Carreau du Temple, from March 30th to April 3rd.
We will be delighted to welcome you on our stand A 14 where we will be exhibiting Marilena Pelosi, Eric Benetto, Zdenek Kosek and José Manuel Egea, an artist recently discovered in Spain.
Deeply impacted by his discovery of Augustin Lesage, Éric Benetto explores the most arduous spiritual paths: monastic life and ascetic practices of the Orthodox hesychasm. His Chinese ink or pencil drawings, on paper, radiographs and other MRI scans are imbued with syncretic mysticism as well as an exceptional modernity. Before his first solo exhibition organized by the gallery in 2019, his work had already been noticed at the exhibition Brut Now: art brut in the time of technologies, at the Belfort museums. Since then, he has joined prestigious collections such as those of Laurent Dumas (France) or Treger-Saint Silvestre (Portugal).
At a very young age, Marilena Pelosi began to make drawings in which exuberant Catholicism and feverish Macumba, from her native Brazil, swirled to the point of delirium. The reminiscence of trance, eucharistic processions and carnivals are inextricably combined with much more intimate evocations. Now living in Normandy, she continues these same disturbing drawings, made with ballpoint pens, in which doll-women are both executioners and victims. Entering the BIC collection (France) in 2019, she is represented in major collections, including those of Hannah Rieger (Austria), Amr Shaker (Switzerland), and Dino Menozzi (Italy).
Living her spirituality through the paths of Qigong, it was at the dawn of her 40th birthday that Guo Fengyi began to reinterpret popular Chinese beliefs in drawings of ink and brush. On rolls of rice paper, measuring up to 10 meters, entities unfold: sometimes linked to the pantheon, sometimes to the pandemonium, they seem to float in a space-time void. These heretical scrolls were even exhibited at the 55th Venice Biennale, curated by Massimiliano Gioni.
A typographer by training, Košek first became a fairly conventional artist. When he fell into psychosis, he began to produce works as radical as poetic. Convinced that he plays a decisive role in the sequencing of the world, he spends his time at his window, recording his observations - meteorology, bird flights, insignificant facts - and aggregating them into diagrams supposed to ward off chaos. For fifteen years and across the world, from the Palais de Tokyo to the maison rouge, from the MONA (Australia) to the DOX in Prague and the Rencontres d’Arles, his Sibylline maps have been constantly interrogating.
José Manuel Egea
Convinced of his lycanthropy, this young Madrid artist is fascinated by the Kafkaesque metamorphosis found in the comics and mythology world. His work, also polymorphic, consists of drawings, sculptures and performances, and urges us to accept our repressed therianthropy. Promoted by the gallery since 2016, he is already found in major European contemporary art collections such as those of Antoine de Galbert, or Laurent Dumas (France).