Viva Arte Viva
Luboš Plný and Dan Miller - whom we have represented for over 10 years - and Judith Scott are part of the official selection of Christine Macel, curator of the Viva Arte Viva exhibition at the 2017 Venice Biennale.
This is therefore the second edition to include artists of art brut. Anna Zemánková, Guo Fengyi and Eugène Von Bruenchenhein, to name only those to whom we have devoted monographic exhibitions, were indeed shown by Massimiliano Gioni in 2013/2014.
Renowned figure of contemporary art brut this Czech artist is fascinated by medical iconography. An expert in the mysteries of the anatomy he indulges - when he is not drawing - in all sort of performative experiences reminiscent of the Viennese Actionism. By testing the limits of the physical existence, he conjures death, sublimating life in its most organic form. His detailed works crafted with Indian Ink and acrylic entered the collection of the Centre Pompidou in 2013 and were displayed several times at la Maison rouge and in 2017 at Venice Biennal.
Having become, in a decade, one of the most recognized contemporary brut artists, this autistic native of California is sometimes compared to Cy Twombly: while the latter deconstructs language, the former builds it. Since 2010, the gallery has contributed to its international recognition by organizing several exhibitions and publishing the only monograph available to date, enriched with an essay by Richard Leemann. Present in countless public and private collections - including those of the MoMA and Pompidou –, Dan Miller’s work was also part of the official selection of the 2017 Venice Biennale.
Judith Scott was born with a Down Syndrome into a middle-class family in Cincinnati, Ohio. Following an attack of Scarlet Fever in infancy, she lost her hearing, although this would not be recognized until many years later. She spent the first 7 years of her life in her home and with her twin sister before she was sent in an institution for handicap children. She lived 35 years separated from her family, until in 1986, her twin sister became her legal tutor and moved with her in California. Judith got into the Creative Growth Art Center in Oakland, where after two years, she starts producing original sculptures by collecting diverse objects, from all size and shape. She would wrap them,[…]