by Gustavo Giacosa
After his show La Maison created in February 2016 at the Centre Culturel André Malraux scène nationale de Vandœuvre-lès-Nancy, Gustavo Giacosa continues to explore this theme by bringing together painters, sculptors and video artists from different countries and backgrounds, most of whom are part of his private collection. The exhibition develops the narrative openings present in his show, whose echoes he finds through creations that he makes dialogue by distributing them according to oppositions: in/out - adults/children - order/disorder - presences/absences.
Exhibition at the Zola Gallery - Cité du Livre in Aix-en-Provence.
He is the most widely exhibited and published living art brut artist, yet the extraordinary trajectory of this Frenchman raises a question that is rarely addressed: that of the impermanence of art brut. Discovered by Jean Dubuffet at a time when he was working on the resurgence of the symbolic body, he allowed himself to become the protean artist we know and who, in his creation, embodies absolute freedom. His work can be found in countless collections, and he was the first artist brut to enter the collections of the Musée national d’art moderne (Pompidou). Exhibited at the Monnaie de Paris, the Albertina Museum and the Mona, Michel Nedjar has been the subject of nine monographic exhibitions.
John Devlin was only 25 years old when he left Canada to study theology at Cambridge and set himself on the path to priesthood. Although he adored Cambridge, he had to return and abandon his ecclesiastical dreams because of a psychotic disorder. He thus devoted his life to drawing his own Nova Cantabrigiensis, an idealized Cambridge that became both a symbolic projection and a healing protocol. Once his great work - developed in secret - was discovered in the late 1980s, he was the subject of numerous exhibitions and publications including the Rencontres de la Photographie d’Arles for the iconic exhibition Photo Brut.
A frequent visitor to the Blu Cammello workshop in Livorno, he was first discovered by artist Riccardo Bargellini. The hybrid sculptures he produces are made up of heterogeneous objects whose fates are inexorably linked, observed sometimes through the prism of their transitional, fetishist or apotropaic value.
Present in the collections of the Musée National d’Art Moderne (Pompidou) and the Museum für Moderne Kunst in Frankfurt, his works have been shown in several major exhibitions, notably at the Palais de Tokyo in Paris.
“These works are endowed with a symbolic power that many ‘professional’ artists are incapable of achieving. “(P. Dagen, Le Monde)
Raised in an stimulating environment culturally open, Kostia is fascinated by circus, theatre and music since his early childhood. Teenager, he met the musician Antoine Boulangé who initiated him to music and who quickly detected his skills to rap. In 2009, as he were living in the South of France, Kostia Botkine regulary meet Antoine Boulangé at La “S” Grand Atelier where he participates to residencies of music creation with the band “The Choolers”. In 2015 Kostia Botkine settled down in Vielsam in order to work full time at the workshops of La “S”. Henceforth the Choolers’s project evolved until is tight to Philippe Marien ones. Since the band continues to expand and plays all around[…]