works by Gironella, Madge Gill, and Scottie Wilson at the 6th Biennale of brut art: visages

Born in Catalonia, Gironella (1911-1997) followed at an early age in his father’s footsteps in cork craftsmanship. Engendering a lifelong history with cork, unbothered by the exile to France forced by Franco. Thus, in 1948, Jean Dubuffet and André Breton dedicated an exhibition to him. Then, in 1967, Gironella is included in the exhibition L’art brut at the Musée des Arts Décoratif (Paris), hosted by François Mathey, then chief curator. Since 2021, he has been part of the traveling exhibition Francesc Tosquelles. Comme une machine à coudre dans un champ de blé, which will end its road at the New York American Folk Art Museum (after Les Abattoirs, Toulouse ; The Reina Sofía Museum , Madrid ; Contemporary cultural center Barcelone).

The works of Madge Gill, a mediumistic artist from the mid-20th century, were collected by Jean Dubuffet. Guided by a spirit and in a trance state, Madge Gill drew in ink on surfaces ranging from small formats to rolls of over a hundred meters. Her entire body of work was only discovered after she died in 1961. Today considered a key figure in outsider art, her works can be found in major European and North American collections: American Folk Art Museum (New York, USA), the Museum of Everything (UK), Arnulf Rainer Collection (Austria), Damman (Switzerland), etc. In 2024, her works are presented at the Venice Biennale curated by Adriano Pedrosa.

Collected by Picasso, André Breton, and Jean Dubuffet, Scottie Wilson is a major artist of the 20th century. His works, born from a multiplication of finely applied lines, fascinated his contemporaries, who were eager to exhibit, sell, or even publish them at all costs.