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Davood Koochaki was born in 1939 in Rasht, north-western Iran, not far from the Caspian Sea, claimed in legends of yore as the home of mysterious hybrid beings. Davood was taken out of school to help with the rice harvest at the age of seven. As a teenager, he left home to try his luck in Tehran, where he led something of a double life. He worked as a car mechanic by day, eventually opening his own garage, but by night he led a dissolute life, drinking heavily, making friends with Iranian intellectuals (despite being illiterate himself), and openly flaunting his left-wing views, both before and after the Islamic Revolution.

Davood eventually married and fathered four children. Those close to him describe him as a complex personality, disarmingly frank and stubborn. Only when he turned forty did he suddenly start drawing his enigmatic characters, gradually refining a technique that is close to cross-hatching, and increasing the size of his works. It was as if he were suddenly freeing himself of the ghosts of his past.

His devilish, deformed chimeras appeared as if hidden by a veil, with just their gazes, rictus smiles, and, in many cases, genitals giving them the appearance of tangible, embodied, unveiled beings. “I do try to draw perfectly, but this is what comes out”, he admits in puzzlement. His works, which until recently were met only with scorn, resonate with the “flowerings of high fever, utterly and intensely lived by their authors”, as Dubuffet might well have described them.

To the point where their meaning must remain somewhat veiled, like a Persian tale, so as not to lay the artist’s soul too bare.

A dual-language catalogue (100 pages) is being published to mark the exhibition with text by the screenwriter, director, and producer Jacques Bral, himself born in Tehran.

Artist
Davood Koochaki
Davood Koochaki - © ©christian berst art brut, christian berst — art brut

A former mechanic who became a late-blooming draftsman, Davood Koochaki fills his compositions with enigmatic and hybrid figures, bearing witness to a haunted past and a boundless imagination. His drawings, marked by a cross-hatching technique, oscillate between revelation and mystery, unveiling a raw, visceral, and deeply inhabited body of work. In 2021, this artist with a troubling yet captivating universe saw his work enter the collections of the Musée National d’Art Moderne (Centre Pompidou), cementing a journey as singular as it is moving.

Catalog
Davood Koochaki a persian tale
Davood Koochaki : a persian tale - © christian berst — art brut

Preface : Jacques Bral
Forewords : Christian Berst
Catalog published to mark the exhibition Davood Koochaki : a persian tale, from march 19th to april 20th, 2013.

OUT OF PRINT

Press review
Davood Koochaki, un conte persan
Philippe Godin, ParisART. April 10, 2013.
Davood Koochaki
Philippe Dagen, Le Monde. April 7, 2013.
davood koochaki
01 — 02
Exhibition view of Davood Koochaki : a persian tale, christian berst art brut, Paris, 2013, ©christian berst art brut
Exhibition view of *Davood Koochaki : a persian tale*, christian berst art brut, Paris, 2013 - © ©christian berst art brut, christian berst — art brut

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