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For this 2014 edition 2014, the gallery chose ti show drawings by Dan Miller, d’Harald Stoffers and Lubos Plny plus photos by Eugène Von Bruenchenhein.

eugene von bruenchenhein, self-portrait, 1947. - © christian berst — art brut

Eugene Von Bruenchenhein

Eugene von Bruenchenhein, a humble baker from Milwaukee, believed that being born in the year of the passage of Halley’s Comet was irrefutable proof that the gods had endowed him with artistic genius. In 1943, he married Eveline Kalke, who was 10 years younger than him, and she became his muse, inspirer, and subject, directly or indirectly, of all his art. He renamed her Marie. Photography then became his primary mode of expression: he created hundreds of portraits of Marie adorned with different attributes. Marie becomes, by turns, a goddess, queen, star, seductress, or ingenue. In 2013, these photographs were featured at the Venice Biennale, while an entire room was dedicated to him in the exhibition An Alternative Guide to The Universe at the Hayward Gallery in London.⁠

Luboš Plný - © christian berst — art brut

Luboš Plný

Luboš Plný whose international recognition was confirmed by his selection in the 57th Venice Biennale titled Viva Arte Viva (curated by Christine Macel) in 2017. As the first outsider artist acquired by the MNAM in 2013, he has enjoyed numerous institutional exhibitions in recent years. These include exhibitions at contemporary art museums in Kobe and Hiroshima, Japan, at the Rencontres de la Photographie in Arles, at the Kunsthalle in Dresden, and in his hometown of Prague. In 2017, the Dox Art Center dedicated a solo exhibition to him, and in 2022, the Rudolfinum facilitated a dialogue between him and artists such as Louise Bourgeois and William Kentridge. In September 2023, we dedicated a solo show to him in our two spaces, a monography and a performance at the Beaux-Arts de Paris.

harald stoffers - © christian berst — art brut

Harald Stoffers

More than twenty years ago, Harald Stoffers began a fictional correspondence with his mother, in which all the letters started with «Liebe Mutti». He began this exercise at a workshop for people with disabilities at which he worked. He started by distributing them amongst his fellow workers in the form of small torn notes. Stoffers’ letters later thickened, some even reaching ten meters long. Presented in a film by Youssef Tabti at the Grand Palais in 2009, his work was included in such prestigious institutions as the Mona (Australia), the Hamburger Kunsthalle (Berlin), the Oliva Creative Factory (Portugal), the Dox Art Center (Prague) and the Maison rouge (Paris).
A significant number of his works was donated to the Centre Pompidou collection in 2021.

portrait of dan miller - © creative growth art center, christian berst — art brut

Dan Miller

Having become, in a decade, one of the most recognized contemporary brut artists, this autistic native of California is sometimes compared to Cy Twombly: while the latter deconstructs language, the former builds it. Since 2010, the gallery has contributed to its international recognition by organizing several exhibitions and publishing the only monograph available to date, enriched with an essay by Richard Leemann. Present in countless public and private collections - including those of the MoMA and Pompidou –, Dan Miller’s work was also part of the official selection of the 2017 Venice Biennale.

Press review
Art Paris Art Fair : l’autre foire d’art contemporain
Véronique Bouruet-Aubertot, Télé March 26, 2014.
L’art brut a sa place à Art Paris Art Fair
La Rédaction, AMA. March 26, 2014.
Art Paris Art Fair persiste et signe
Eléonore Thery, L’Oeil. March 1, 2014.
art paris art fair 2014

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