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portrait of Malcolm Mc Kesson - © christian berst — art brut
Date 1909 — 1999
Country United States

The force of Malcolm McKesson’s work – transgressive, liberated, born of an exalted urge – invites the subjugated viewer to contemplate an impression of the uncanny. The artist lays bare part of what is buried deep, guiding us to the heart of our own familiar terra incognita.

Malcolm McKesson came to art by an unusual path. Born to a well-heeled New York family, he graduated from Harvard and worked for the family chemical company for twenty years before withdrawing from professional life in his forties. With the support of his wife, the poet Madeline Mason, he decided to devote himself to his art. He began covering sheets of paper with a ball-point pen, working on the shapes as if sculpting them, until the multitude of lines gradually lent volume and consistency to his imaginary creatures. Eventually, the play of chiaroscuro revealed a shadowy, serious presence, as generous as it was ghostly.

McKesson used this imaginary world to explore his own sado-masochistic fantasies, using it as the artistic counterpart to his short story Matriarchy : Freedom in Bondage. The drawings are characterised by violent, sensual eroticism, the ample figures of the characters fully fleshing out their carnality. Yet these fundamentally androgynous creatures question the difference between the genders, blurring socially accepted codes and conceptions. Malcolm McKesson’s fascinating, lascivious, spectral art has been acquired by major art brut collections such as the Collection de l’Art Brut (Lausanne) and The Museum of Everything (London).

Artworks
Please contact us to inquire about the available works.
untitled (two women) - © christian berst — art brut
untitled (two women), 1985
11.81 x 17.32 in
untitled (black rod) - © christian berst — art brut
untitled (black rod), 1980
10.24 x 7.87 in
untitled - © christian berst — art brut
untitled, 1980
10.63 x 13.78 in
untitled (portrait) - © christian berst — art brut
untitled (portrait), 1980
4.72 x 7.87 in
untitled (man servant) - © christian berst — art brut
untitled (man servant), 1980
3.94 x 9.45 in
untitled - © christian berst — art brut
untitled, 1990
9.84 x 12.99 in
standing servant - © christian berst — art brut
standing servant, 1980
11.81 x 17.32 in
my three personalities - © christian berst — art brut
my three personalities, 1996
11.02 x 8.27 in
untitled - © christian berst — art brut
untitled, 1986
10.24 x 13.39 in
Exhibitions
In the flesh
veritable bodies, at the gallery. From June 14 to July 11, 2020.
drawing now 2018
Carreau du Temple. From March 22 to 25, 2018.
Vestiges & Verse
Notes from the Newfangled Epic, American Folk Art Museum, New York. From January 21, 2018 to December 27, 2017.
The Museum of everything
Museum of Old and New Art, Tasmania. From June 17, 2017 to April 2, 2018.
The Wall
Antoine de Galbert Collection , la Maison rouge, Paris. From June 14 to September 21, 2014.
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salon du dessin contemporain 2011
drawing now, caroussel du louvre. From March 25 to 28, 2011.
Exhibition view of *in the flesh : veritable bodies*, christian berst art brut, Paris, 2020 - © ©christian berst art brut, christian berst — art brut
*drawing now*, le carreau du temple, paris, from march 2nd to 25th, 2018 - © © christian berst art brut, christian berst — art brut
*do the write thing 2: read between the lines*, christian berst art brut gallery, from april 26th to june 2nd, 2018 - © © christian berst art brut, christian berst — art brut
Collections
Prinzhorn collection
Germany
Antoine de Galbert collection
France
American Folk Art Museum
United States
Treger Saint Silvestre collection
Portugal
Antoine Frérot collection
France
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Amr Shaker collection
Switzerland
Dammann collection
Switzerland
Malcolm Mc Kesson

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