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Luboš Plný’s international recognition was firmly established in 2017, when he was selected for the 57th Venice Biennale. The first Art Brut artist to be acquired by the Musée National d’Art Moderne (MNAM) in 2013, he has since been the subject of exhibitions at the contemporary art museums of Kobe and Hiroshima, the Kunsthalle Dresden, and in his native Prague, where the Rudolfinum, notably, brought his work into dialogue with artists such as Louise Bourgeois and William Kentridge in 2022. In September 2023, we dedicated a solo exhibition to him across both our spaces, published a monograph, and presented a performance at the École des Beaux-Arts de Paris.

A resident of an Austrian institution, Josef Hofer did not speak; he drew. Tirelessly. In the mirror he held up to himself and to us, his figures strive to take flight within the confines of the frame, with an eroticized, untamed grace. His drawings give visual form to a foundational duality between body and psyche.
Held by numerous museums, his work features in major private collections such as those of Antoine de Galbert (FR) and Arnulf Rainer (AT), who regarded him as “one of the greatest contemporary art brut artists.” A significant group of his works entered the collections of the Centre Pompidou in 2021.
In 2026, the gallery published a 270-page monograph and launched an online catalogue raisonné of nearly 3,000 works.

Bellucci attended the Blu Cammello workshop in Livorno, where he was brought to light by the artist Riccardo Bargellini. His hybrid sculptures, born from the assemblage of eclectic objects, form a mysterious language where destinies intertwine and echo one another, seen through the lens of transition, fetishism, or the apotropaic.
His works, part of the collections of the Musée National d’Art Moderne (Pompidou) and the Museum für Moderne Kunst in Frankfurt, have been showcased in numerous major exhibitions, notably at the Palais de Tokyo in Paris.
“These works are endowed with a symbolic power that many ‘professional’ artists are incapable of achieving. “(P. Dagen, Le Monde)

Convinced of his lycanthropy (belief in the transformation of a man into a wolf), this young Madrid-based artist draws inspiration from Kafkaesque metamorphoses in comics and mythology. His polymorphic work—drawings, sculptures, performances—urges us to embrace our repressed therianthropy (human-to-animal transformation). Represented by the gallery since 2016, his works appeared recently in Photo | Brut #2 in Brussels (2022), Portreto de la Animo at the Museo Nacional de Soares dos Reis in Porto (2023), as well as at Fundación ONCE in Madrid and Fondation Francès (2024). His creations are part of major European collections, including those of Hervé Lancelin, Laurent Dumas, and Piet Meyer.

Tomasz Machciński (1942–2022), a war orphan and Polish laborer, dedicated 50 years of his life to creating over 22,000 photographic self-portraits. Ten years before Cindy Sherman, Machciński embarked on an intense quest for identity. Recently discovered, this monumental work has been acclaimed at the Rencontres d’Arles, Paris Photo, the Museum of Modern Art in Warsaw, and the Independent Art Fair in New York.

• According to the artist’s wishes and in agreement with the Machciński Foundation, only 2,500 photographs from the estate will eventually be available for sale.